“There is no longer a clear boundary between a ‘photo’ and a ‘photograph’. When the technical aspect becomes easy, how will the role and value of the professional photographic artist - one who creates through thought, emotion, and cultural depth - be redefined?” Thu Dong questioned.

The second challenge relates to the authenticity of photography - long considered its essential foundation and strength. Generative AI tools can now create images that look entirely real but are not drawn from any actual moment in time.

“This not only erodes public trust but also raises a philosophical question: What is photography if it no longer serves as a witness to truth?” she emphasized.

Agreeing with her, photographic artist Pham Tien Dung noted that in this era of visual explosion, photography is rapidly evolving from a medium of reality documentation to one of expressive language - of thought, emotion, and human essence.

“Whereas the camera used to be a tool for recording reality, now it has become the language of being, where every shutter click is a declaration of awareness, technology, and soul,” Dung explained.

He added that future photographic art will not only be the art of light but the art of emotional resonance, where the photographer becomes a creative force generating humanistic energy. Photographs will no longer be confined to physical frames, as drones, 360° cameras, AI, and virtual reality technologies are redefining visual perspectives.

“A beautiful photograph does not necessarily stir the soul. Only when the photographer reaches a state of inner resonance does the image truly gain spirit. This is both the challenge and the opportunity for Vietnamese photography moving forward,” he affirmed.

In response to the rapid shift brought by digital technologies, Pham Tien Dung proposed several solutions for the sustainable development of Vietnamese photography:

Master new technologies, use editing software and AI tools effectively - but avoid dependence on them to preserve creativity and copyright. Improve human resource quality through training and professional development, especially for young photographers. Expand international exchange through workshops, exhibitions, and courses to elevate both technical skill and creative thinking. Invest in infrastructure and modern technology - build studios and professional exhibition spaces to promote photographic works. Foster a vibrant creative environment by organizing contests, festivals, exchange programs, and photo exhibitions.

Sharing a similar viewpoint, photographic artist Vu Huyen stressed the importance of international cooperation, socialized funding, and encouraging creative experimentation.

“We need to expand collaboration with international photography organizations, co-host exhibitions, and promote Vietnam’s image globally. At the same time, we should increase socialized funding and avoid relying solely on state budgets,” he said.

According to Huyen, Vietnamese photography can only thrive if artists dare to explore and innovate - using technology as a tool, not a substitute for emotion and creative thought.

“We must encourage photographers to experiment with new styles and techniques, creating distinctive, groundbreaking works that leave a powerful impression on the public,” emphasized Vu Huyen.

Tinh Le