Once home to a Nguyen dynasty mandarin, the 220-year-old residence holds artifacts of a scholarly family that shaped Vietnamese literature.
Known locally as “Dinh Ong Lon” (The Great Lord’s Mansion), the Nguyen Tuong ancestral house is one of the most well-preserved ancient structures in Hoi An. It not only reflects the glorious past of a distinguished academic family but also safeguards precious historical documents.
Built in 1806, the residence originally belonged to Nguyen Tuong Van (1774 - 1822), who served as Minister of War under Emperor Minh Mang of the Nguyen dynasty. After his death, it was converted into an ancestral house.
According to the Hoi An Center for Cultural Heritage Conservation, the Nguyen Tuong family is famous for its scholarly tradition, with many generations achieving academic honors and holding prominent positions in the imperial court.
Nguyen Tuong Van’s eldest son, Nguyen Tuong Vinh, was a Phó bảng (second-rank laureate) and governor of Dinh Tuong Province. His second son, Nguyen Tuong Pho, earned a doctorate and served as education commissioner in Quang Nam and Hai Duong under Emperor Thieu Tri.
Notably, in the early 20th century, three descendants of the family became iconic figures of modern Vietnamese literature: Nguyen Tuong Tam (pen name Nhat Linh), Nguyen Tuong Lan (Thach Lam), and Nguyen Tuong Long (Hoang Dao).
Today, the ancestral house still holds dozens of royal edicts from the reigns of Emperors Minh Mang, Thieu Tri, Tu Duc, and Thanh Thai, along with Han-Nom manuscripts, paintings, calligraphy, and antique books.
In 2008, the site was recognized as a provincial-level historical, cultural, and architectural relic. In 2020, the tomb of Nguyen Tuong Van was also designated a provincial historical site.
Photos of the Nguyen Tuong ancestral house:
Tucked in a narrow alley near the Japanese Covered Bridge, the Nguyen Tuong family house has a modest, rustic exterior.The house features a traditional three-bay, two-wing, five-span layout in Hue-style architecture, with yin-yang roof tiles. Twin staircases at the entrance represent the traditional gender-divided path.Despite over 200 years of history and two restorations (in 1909 and 2005), the house retains its distinctive and ancient charm.The central worship space is in the middle span of the house, partitioned by three sets of upper-bar lower-panel doors, each with four wings. The central altar honors Minister of War Nguyen Tuong Van, flanked by altars for male and female descendants.A large bronze censer over a century old stands on the main altar. In Hoi An, ancestral altars are a key indicator of a family’s heritage and cultural values.Dang Hung Tung, a son-in-law and local teacher who also guides visitors, explains that the portrait of Nguyen Tuong Van was drawn in traditional Chinese ink and hand-colored.Royal edicts granted to Nguyen Tuong Van and his eldest son, Nguyen Tuong Vinh, across multiple reigns.The surrounding living area features a four-sloped “four seas” roof, with a high central ridge. Architectural elements blend various styles across front and rear sections.The house’s wooden interior and structural details were crafted by artisans from Kim Bong carpentry village, renowned for their refined craftsmanship.A Buddha’s-hand-shaped window in one wing symbolizes prosperity and abundance. The back of the house opens into a spacious courtyard.Dang Hung Tung proudly displays a 150-year-old tea set - a treasured heirloom passed down through generations.Artifacts connected to the family’s legacy are kept in glass cabinets for preservation.Among them is a pair of carved wooden vases featuring dragons, estimated to be over 100 years old.Many rare books are preserved here, tied to the literary legacy of Nhat Linh, Thach Lam, and Hoang Dao.