From mid lunar December, Dao communities in Quang Ninh begin Tet (Lunar New Year) early, honoring ancestors and renewing clan bonds in a quiet yet deeply meaningful celebration.

Horses have long been embedded in Vietnamese culture, carrying layered symbolism in language and belief while remaining part of daily life in many ethnic minority communities.

Since the mid-point of the 12th lunar month, Hang Luoc street has assumed a celebratory guise. Soft and vivid pink peach blossoms, golden kumquat trees bowed under the weight of ripe fruit, and crisp white apricot blooms herald the onset of spring.

Drawing from the spirit of the documents of the 14th National Party Congress, People’s Artist Bui Cong Duy believes that cultural understanding among leaders is the factor that creates national resilience.

Royal Tet rituals were reenacted at the Thang Long Imperial Citadel, reviving centuries-old traditions of Vietnam’s feudal court.

In recent years, in Dak Lak province, many resolutions issued by the provincial People’s Council continue to be realized by authorities at all levels, especially in the cultural sector.

Vietnamese culture has long shaped the nation’s soul and resilience, from folk poetry and traditional festivals to tangible and intangible UNESCO-recognized heritage.

Vietnam aims to be among ASEAN’s top three and the world’s top 30 in the Soft Power Index by 2045, positioning itself as a hub for tourism, investment, innovation, and cultural exchange on its path to becoming a developed, high-income country.

Deputy Prime Minister Mai Van Chinh has signed Decision No. 173/QD-TTg approving the Strategy on communications to promote Vietnam’s image abroad for the 2026–2030 period, with a vision to 2045.

In the remote mountains of Quang Ninh, the Dao Lo Gang people begin Tet (Lunar New Year) early, celebrating with deep-rooted rituals and vibrant cultural traditions.

The fashion week is designed as a series of interconnected activities in which culture, creativity, community and commerce are closely linked in a continuous experiential cycle.

Debate heats up over frog buttons on ao dai, sparking urgent calls to define what constitutes Vietnam’s national dress.

Nestled among the jagged limestone mountains and jade waters of the Trang An Scenic Landscape Complex in Ninh Binh, lies a silent, sacred space with over a thousand years of history - Dan Kinh Thien.

The Dai Phan festival, a vivid expression of San Diu spiritual life and community identity, was held on January 31 and February 1 (13th–14th of the Lunar month) in Van Don District, Quang Ninh Province.

Designers argue that using Chinese fabrics and fastenings on ao dai risks erasing Vietnamese tradition.

Cheap, mass-market “ao dai” with foreign features raise urgent questions about national identity and heritage preservation.

To prevent Vietnam’s creative industries from developing in a fragmented and scattered way, we need a unified vision for the image of Vietnam that we want the world to remember.

Politburo Resolution No. 80-NQ/TW represents a significant shift in the development paradigm, formally recognising culture not merely as an auxiliary sector, but as one of the four indispensable and co-equal pillars of sustainable development.

In Quang Ninh’s Deo Doc village, the Dao Thanh Phan people honor an early New Year with quiet rituals and deep community bonds.

Many experts note that the most prominent and profound new feature of Resolution 80-NQ/TW compared to previous documents is the comprehensive upgrading of culture’s role.